The truck's warning lights came back on as we were passing through Pennsylvania. You remember those, don't you, gentle readers? The ones that wreaked such havoc with our safety and our sanity on our way to Brooklyn? The ones which caused our truck to die on an entrance ramp? I knew you did. Well, they popped back on whilst I was chugging away down the Pennsylvania turnpike. Not one to tempt fate more than once on the same subject, I pulled off into a service plaza as soon as I could and parked the truck. Flo and I scoured the manual to try to find out where the coolant was stored, since it had turned out to be a missing coolant reservoir cap back in NY. Apparently, they feel it is necessary to diagram every single inch of the engine EXCEPT where the coolant is. I called Levitt, since she had been told by the Ryder guys where it was. Then I called Bob when Levitt (as usual) didn't answer her work phone. I will never understand why she even bothers carrying it, since she never answers it. It's really freaking annoying, since she is the one we're supposed to contact should anything happen. And I would be able to accept it more if she answered her personal phone with any regularity. But no. If she's not actually moving scenery or yelling at a crew, she assumes she is not working and doesn't feel the need to communicate with anyone. Hell, she had Schneider call Flo and I last night with the van call for this morning, and that's like her one real duty. So I call Bob, who (since he answers his phone) hands his phone to Levitt, who tells me the reservoir is--now wait, I want to get this right--"under the hood on one side, I'm not sure which one." Remind me never to count on her as a witness if I'm ever mugged. "He was hit...or something by a guy who looked like...I don't know, a human. Kinda. In a way." So armed with that information, I lifted the hood and found it on the side. So technically she was right. Oy. And lo and behold, we were really low on coolant. Apparently wrapping duct tape around the opening and jamming a plastic lid to a deodorant bottle and zip tying it to the opening doesn't form a perfect seal. So, while it's a little annoying, it's definitely fixable. All I have to do is add coolant and we can make it to NC and let LEvitt deal with getting it fixed. So I go into the gas station shop there at the plaza and look for coolant. They have one kind that says anything about being good for diesel. Unfortunately, it also says it's green and should be added to green. Or blue as well, i think, and the stuff in my reservoir looked far redder than either of those colors. I was unaware that there were colors to coolant that acted like blood types. Apparently some coolants will reject other colors. I don't see why they can't all just get along, but that's a rainbow coalition meeting for another day. I'm tempted to just buy the stuff, but I'm also tempted not to break the truck, so I decided to call Ryder and just ask if the stuff would be okay.
Outsourcing is a severe problem in this country, and let me tell you why. Because they just give the jobs to people from other countries without tutoring them in what the countries they'll be dealing with are like. When I call a truck maintenance hotline, I don't want to have to spend 15 minutes trying to explain to "Erin" (neé Rashika) what a service plaza off a turnpike is. Especially not when I have already indicated to her that I am not broken down, I do not need anyone to come out to my location, I just need to talk to a technician and ask him one simple question. So it doesn't matter where I am. I don't need to talk to anyone nearby. I could talk to a guy in Nevada, I don't care. I have one simple yes or no question. So I don't need--okay, let me go wandering around trying to find the name of the plaza which might indicate to you what city I'm in. Somerset, PA. There you go. No, I'm not at an exit. It's a plaza, you don't exit the turnpike, you just pull off and you can get right back on. There is no exit number. No really. Yes, let me give you my number so you can have him call back. Please stop saying my name at the beginning and end of every sentence--it doesn't make me feel like you care more about my problem, it makes you sound like a badly written novel, and it's making me want to beat you like soufflé-bound egg whites. Yes, that is the number. Yes, all I need to do is ask a question. Do you really think I believe you're somewhere ANYWHERE near this country? I can smell the curry over the phone, and I do believe I hear the distinct celebratory strains of Bollywood dance music in the background. Please let's finish this. I don't want to keep you from your big solo. Okay, I'll hold. During this time, Flo is doing yoga in the parking lot. I envy her calm and flexibility and curse her for encouraging the enemy. "Erin" (nee´Shiva) returns with a technician on the line, named Ed. I say hello to Ed and am immediately reassured that if nothing else, Ed is from this country The surliness proves it. I ask him the question--will the Peak green coolant be okay to use to top off the stuff I have in the reservoir? "Yes," he growls. "It shouldn't hurt it." He then hangs up. I hang up in the middle of "Erin" (neé Ganesha) repeating my name over and over to thank me. Then I buy the coolant.
The guys who jury-rigged the cap did a hell of a job wrapping the duct tape, so I decide that istead of trying to pull it off, I'm just going to cut through it, using Flo's ever present knife. She hands it to me, I start to cut and realize there seems to be some pain emanating from my right thumb, which I have placed against the base of the knife for leverage. I look down to see that I have actually placed my right thumb against the bottom part of the BLADE for leverage, and have just sliced a not inconsiderable way into my thumb. I greet this realization with a mixture of embarrassment, humorous disbelief, and cursing. (Under ten, so it's far more like nonchalance.) I finish cutting through the tape, releasing steam as I proceed to bleed copiously all over everything. Flo returns from the cab with a band aid, and it starts to rain. I make the executive decision that we shall close the truck up, enter the plaza's food court, eat lunch and wait for the precipitation to perchance peter out, and for my thumb to hopefully clot. So we go in, and eat. I discover that I am bleeding through the bandage. Wonderful. The rain stops. I wrap a napkin around my thumb and we get back to the truck. I add the coolant, tape the thing up, jam the cap back on and reapply the zip line. Then I get more bandages and waterproof tape on my thumb. It's that kind of day. Then we continue on to our lovely destination.
So this morning dawns with all the promise of a grand day. EXCEPT, we are not performing in the same space as before; we're going to the school. The one good thing about that is the school is so small there is no hope of our set fitting, so we still get to do a no set show. The bad news--for reasons I cannot fathom, they don't have to feed us. So van call is at 7:10 for a 7:30 load-in. I am downstairs for breakfast by 6:30 because I'm nuts. But as the minutes tick by and more of our cast comes downstairs, I notice that two people are conspicuously absent--Levitt and Flo, who room together. Remembering the time Levitt let Flo oversleep and end up late for van call, I send her a text message, around 6:50, hoping that wakes her up. At 6:55, I see Levitt come hustling out of the elevator, looking more disheveled than most mornings, and I realize she has overslept as well. But seeing her, I stop worrying about Flo, since obviously Levitt would have awoken her once she realized she was running behind as well. You know how I keep overestimating Levitt's competence? Well, I guess I overestimate her consideration and compassion for her fellow human beings. Apparently, Flo was still asleep when Levitt left the room, and she didn't wake her. SHe apparently woke up on her own at 7. Naturally, she was late to the van, which put us behind in getting there. But who the hell does that? I mean, if you wake up too early, like I sometimes do, and you know your roommate can sleep for another half hour before they have to get up, THEN you leave the room without waking them. But if you've overslept and are leaving with 15 minutes before your call, you wake them up. Hell, you wake them up when YOU wake up. ESPECIALLY when you know your roommate got into the hotel an hour and a half AFTER you did and has had very little sleep. I just don't understand what synapse isn't firing in that woman's head. So that started the morning off right. Then we get to the school and Levitt informs us that the school has a door that leads right into the auditorium. The problem? It's accessible only over the lawn, so we have to back the truck onto the grass and unload there. That means we have to unload all the road cases ON the truck, since they won't roll. Now, I have noticed that there is a sidewalk right where we are that leads to a door that leads (of all places) into the school. Extrapolating what I know of other doors in other schools, I surmise that once through the door we may find ourselves in a hallway. Hallways, I have come to understand, connect one part of a building with another part. Therefore (are you following me?) there should be one of these hallways that will lead to the auditorium, allowing us to roll our cases along the...what's the word, let me look it up....yes, here it is--the FLOOR. This suggestion has to be uttered a few times, and finally by Schneider before whatever synapses DO fire in Levitt's head go off and she has us move the van from the grass (yes, we actually had to do it) onto the concrete of the parking lot. Amazingly, the load-in went quite swiftly after that.
That brings us to the show. The show we did for roughly 30 kids. The show where everything the theatre gods could throw at us to try our patience and grace under pressure, they threw. It started in the first act, in Tell Tale, where, thanks to the fact we have to cut a bunch of upstage lights because we left one of the lighting stands in LAncaster, PA (yeah, isn't that FUN?) AND we had to cut even more of them since we're in a school and the breakers can blow at any moment, the stage is pitch black at one moment, right after I've hit the old man with the lantern. I turn t pace the lantern on the floor, bend over and WHAM! I smack my nose right into the top of one of the walls we put up as a background for the show. Standing up quickly, I turn to continue killing the old man, hoping more than anything my nose has not started to bleed. Thankfully it didn't. Then in Sleepy, the lights went out for a good five minutes of the show, having us lit only by three front lights, until they were able to trip the breaker. (Yep, we blew it anyway) The nice thing was that the kids were VERY into the show in the first act, despite any of the crazy stuff. The second act was another story. Monkey's Paw went pretty smoothly. Flo got her chance to appear on stage as the postman. With a no set show, we don't have a door, so there is nothing for me to be hiding behind before my entrance as the Factory Man so that I can hand Mrs, White a bill. Therefore, we need someone to go out and hand it to her. Schneider has gotten the nod the last two times, so Levitt let Flo do it. Dressed in Bob's Tell Tale Inspector outfit, complete with mustache and sideburns. There is a picture. I plan on blackmail, starting soon. The rest of the show was what could only be described as a clusterfuck. The Necklace saw us not being able to place the benches correctly (Using yellow and green spike tape to differentiate markings for the two acts doesn't work very well when you change scenes in BLUE LIGHT!) losing props (Mathilda became old and poor wearing an apron over a ball gown, instead of an apron and a hooded shawl. The sequins set off her poverty nicely) not being able to exit (The scene immediately following the ball, where the narrators are entering and Mathilda and Bernard are running home became something akin to a Keystone Kops routine since we all decided to try to use the same wing) and channeling the ghost of Frank N. Furter (Thanks to not being able to find the box with the necklace in it right away, Bob had to get Alice's attention from a different side of the stage by laughing in what some would call a creepy way. That tickeld me to the point where I went up on my next line. Instead of saying "Her heart beat fast with desire for the necklace. Her hands trembled as she touched it." I said "Her heart...trembled with antici....pation for the necklace, and her hands trembled with desire as she touched it.") The kids seemed to like it fine. And Frog. Oh frog. Alice comes on at one point as a female frog. For some reason, as I run offstage, I am met by Alice asking, "Where are my frog feet? I can find the hands, but not the feet?" I was of no help. So the female frog wore heels today. I am officially too old for this. At least load out went easily. And we ate lunch at Golden Corral, but no fatback....sigh. Vote for Pond in 2012--fatback at every buffet!